Photo Blog by Rajan Parrikar bio picture

I was born and raised in Goa. My photographic interests lie in landscapes, portraiture in natural light, street life, culture, religion, and photojournalism. Places that I find particularly inspiring are Goa, Iceland, and California.

I have shot extensively in my homeland of Goa, recording its surviving heritage and its sui generis ethos. I have documented in detail the destruction of Goa's environment and its rapid slide into the ugliness and urban chaos that characterizes today's India.

I am also a musician, with a lifelong association with the musical traditions of India. I live in California and spend extended time in Goa.

Photo credit: Sanjeev Trivedi

Narkasur – The Prince of Darkness

Wednesday, October 14, 2009

The Hindu festival of Diwali (Deepavali) has multiple interpretations, all having their basis in the triumph of virtue over vice.

One version tells of the vile Narkasur, embodiment of the forces of darkness (tamas), ignorance (avidya) and baseness (adharma). The puranas recount his comeuppance at the hands of Krishna who deployed the sudarshan-chakra to behead the fiend. Narkasur‘s vanquishment lead to the restoration of dharma, and the Diwali celebrations represent a renewal of the memory of Krishna‘s triumphal moment.

In Goa is prevalent the quaint practice – perhaps unique in India – of the reenactment of the Narkasur mythos. On the eve of Diwali, effigies of Narkasur are mounted at village squares and towns. After a night of boisterous revelry, they are consigned to flames at dawn. In recent years, the merriment has assumed comical proportions with an explosion in the count of Narkasurs on display (perhaps an apt allegory of the times).

As a boy I looked forward to the Narkasur Nite, and the preparations in the days leading to it animated us little fellas. Although much has changed since those days, the spirit of the event persists. These photographs were taken in 2007.