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	<title>Photo Blog by Rajan Parrikar &#187; Architecture</title>
	<atom:link href="http://www.parrikar.com/blog/category/photography/architecture/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.parrikar.com/blog</link>
	<description>Satyam Shivam Sundaram (Truth, Divinity, Beauty)</description>
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		<title>Monsoon Bliss in Chorão</title>
		<link>http://www.parrikar.com/blog/2010/07/25/monsoon-bliss-in-chorao/</link>
		<comments>http://www.parrikar.com/blog/2010/07/25/monsoon-bliss-in-chorao/#comments</comments>
		<pubDate>Sun, 25 Jul 2010 07:43:15 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[70-200L f/2.8 IS II]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Chapel]]></category>
		<category><![CDATA[Chorao]]></category>
		<category><![CDATA[Church]]></category>
		<category><![CDATA[Monsoon]]></category>
		<category><![CDATA[Pomburpa]]></category>
		<category><![CDATA[Portuguese]]></category>
		<category><![CDATA[rain]]></category>
		<category><![CDATA[TS-E 24L II]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2837</guid>
		<description><![CDATA[This is a continuation of the Monsoon in Goa &#8211; 2010 Edition theme. These photographs were shot over two consecutive rain-soaked days in the idyll that is the island of Chorão, also known as Chodna or Chodan. My forbears came from this part of Goa, and were impelled to move out after the sacking of [...]]]></description>
			<content:encoded><![CDATA[<p>This is a continuation of the <a href="http://www.parrikar.com/blog/2010/07/17/monsoon-in-goa-2010-edition/"><strong>Monsoon in Goa &#8211; 2010 Edition</strong></a> theme.  </p>
<p>These photographs were shot over two consecutive rain-soaked days in the idyll that is the island of <strong>Chorão</strong>, also known as <strong>Chodna</strong> or <strong>Chodan</strong>.  My forbears came from this part of <strong>Goa</strong>, and were impelled to move out after the sacking of the village and the Hindu temples by the Portuguese in the 16th C.</p>
<p>The final photograph in the series below was taken in the face of an intense rainstorm advancing in my direction.  Seconds later I had to dive into my car.  These are moments to live for.</p>
<div id="attachment_2838" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/07/chorao-church.jpg" alt="St Bartholomew church in Chorao" title="St Bartholomew church in Chorao" width="900" height="566" class="size-full wp-image-2838" /><p class="wp-caption-text">St Bartholomew church, Chorão (1569)<br />5D Mark II, 24-105L</p></div>
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<div id="attachment_2839" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/07/cross.jpg" alt="Cross in Chorao" title="Cross in Chorao" width="900" height="554" class="size-full wp-image-2839" /><p class="wp-caption-text">The lone sentinel on a dark monsoon morning<br />5D Mark II, 70-100L f/2.8 IS II</p></div>
<div>&nbsp;</div>
<div id="attachment_2840" class="wp-caption aligncenter" style="width: 589px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/07/chorao-chapel.jpg" alt="Saude chapel in Chorao" title="Saude chapel in Chorao" width="579" height="850" class="size-full wp-image-2840" /><p class="wp-caption-text">Nossa Senhora de Saude chapel<br />5D Mark II, TS-E 24L II</p></div>
<div>&nbsp;</div>
<div id="attachment_2841" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/07/pomburpa-church-1.jpg" alt="Pomburpa church seen from Chorao" title="Pomburpa church seen from Chorao" width="900" height="491" class="size-full wp-image-2841" /><p class="wp-caption-text">Mae de Deus church of Pomburpa seen from Chorão<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
<div>&nbsp;</div>
<div id="attachment_2842" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/07/pomburpa-church-2.jpg" alt="In Chorao" title="In Chorao" width="900" height="502" class="size-full wp-image-2842" /><p class="wp-caption-text">Advancing rainstorm (Pomburpa church is seen to the left)<br />5D Mark II, 24-105L</p></div>
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		<slash:comments>4</slash:comments>
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		<title>Tonight in Reykjavík</title>
		<link>http://www.parrikar.com/blog/2010/06/24/tonight-in-reykjavik/</link>
		<comments>http://www.parrikar.com/blog/2010/06/24/tonight-in-reykjavik/#comments</comments>
		<pubDate>Fri, 25 Jun 2010 02:40:57 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[Bessastaðir]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Hallgrímskirkja]]></category>
		<category><![CDATA[Midnight]]></category>
		<category><![CDATA[Reykjavik]]></category>
		<category><![CDATA[Sunset]]></category>
		<category><![CDATA[TS-E 17L]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2695</guid>
		<description><![CDATA[A glorious day in Reykjavík concluded with the grand finale of the setting sun just before midnight. We got to the Sólfar sculpture in time for this shot. &#160; Hallgrímskirkja was draped in golden light. &#160; &#160; Earlier tonight we stopped by Bessastaðir again. This time I made bold to ring the bell at President [...]]]></description>
			<content:encoded><![CDATA[<p>A glorious day in <a href="http://en.wikipedia.org/wiki/Reykjav%C3%ADk" target="_blank"><strong>Reykjavík</strong></a> concluded with the grand finale of the setting sun just before midnight.  We got to the <a href="http://en.wikipedia.org/wiki/The_Sun_Voyager" target="_blank"><strong>Sólfar</strong></a> sculpture in time for this shot.</p>
<div id="attachment_2696" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/06/reykjavik-midnight.jpg" alt="Midnight in Reykjavik" title="Midnight in Reykjavik" width="900" height="548" class="size-full wp-image-2696" /><p class="wp-caption-text">Sunset around midnight in Reykjavík<br />5D Mark II, 24-105L, Singh-Ray Reverse GND filter</p></div>
<div>&nbsp;</div>
<p><a href="http://en.wikipedia.org/wiki/Hallgr%C3%ADmskirkja" target="_blank"><strong>Hallgrímskirkja</strong></a> was draped in golden light.</p>
<div>&nbsp;</div>
<div id="attachment_2718" class="wp-caption aligncenter" style="width: 505px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/06/hallgrimskirkja4.jpg" alt="Hallgrímskirkja" title="Hallgrímskirkja" width="495" height="800" class="size-full wp-image-2718" /><p class="wp-caption-text">Hallgrímskirkja basks in golden light<br />5D Mark II, TS-E 17L</p></div>
<div>&nbsp;</div>
<p>Earlier tonight we stopped by <a href="http://www.parrikar.com/blog/2010/06/07/bessastaðir-iceland/" target="_blank"><strong>Bessastaðir</strong></a> again.  This time I made bold to ring the bell at President <strong>Ólafur Grímsson</strong>&#8216;s door.  Nobody seemed to be in and there was no response.  The mellow evening light offered another perspective on Bessastaðir.<br />
<div id="attachment_2698" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/06/bessastadir1.jpg" alt="Bessastaðir" title="Bessastaðir" width="900" height="510" class="size-full wp-image-2698" /><p class="wp-caption-text">Bessastaðir, late evening<br />5D Mark II, 24-105L</p></div></p>
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		<slash:comments>7</slash:comments>
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		<title>Bessastaðir, Iceland</title>
		<link>http://www.parrikar.com/blog/2010/06/07/bessasta%c3%b0ir-iceland/</link>
		<comments>http://www.parrikar.com/blog/2010/06/07/bessasta%c3%b0ir-iceland/#comments</comments>
		<pubDate>Mon, 07 Jun 2010 08:33:01 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[Alftanes]]></category>
		<category><![CDATA[Bessastadir]]></category>
		<category><![CDATA[Bessastaðir]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Reykjavik]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2587</guid>
		<description><![CDATA[A quick dispatch - We got into Reykjavík yesterday morning and right away were taken for a short spin by my friend Guðmundur Eyjólfsson. This is Bessastaðir, the official residence of the President of Iceland on the Álftanes peninsula just outside Reykjavík. In the foreground is the church &#8220;constructed from locally quarried lava stone and [...]]]></description>
			<content:encoded><![CDATA[<p>A quick dispatch -</p>
<p>We got into <strong>Reykjavík</strong> yesterday morning and right away were taken for a short spin by my friend <a href="http://gummiey.posterous.com/"><strong>Guðmundur Eyjólfsson</strong></a>.  This is <a href="http://en.wikipedia.org/wiki/Bessastaðir"><strong>Bessastaðir</strong>,</a> the official residence of the President of Iceland on the <strong>Álftanes</strong> peninsula just outside <strong>Reykjavík</strong>.  </p>
<p>In the foreground is the church &#8220;constructed from locally quarried lava stone and opened in 1796&#8243; ( <em>vide</em> Andrew Evans in Iceland, Bradt Travel Guide 2008) and behind it is the president&#8217;s home.</p>
<p>Where else in the world can you drive up to the doorstep of the country&#8217;s president without being intercepted by armed security guards a mile ahead of the entrance?</p>
<div id="attachment_2588" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/06/bessastadir.jpg" alt="" title="Bessastaðir" width="900" height="624" class="size-full wp-image-2588" /><p class="wp-caption-text">Bessastaðir, Iceland<br />5D Mark II, 24-105L</p></div>
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		<slash:comments>2</slash:comments>
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		<title>Panjim Promenade &#8211; 4</title>
		<link>http://www.parrikar.com/blog/2010/05/31/panjim-promenade-4/</link>
		<comments>http://www.parrikar.com/blog/2010/05/31/panjim-promenade-4/#comments</comments>
		<pubDate>Tue, 01 Jun 2010 04:47:22 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[Goa]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2575</guid>
		<description><![CDATA[This installment presents some of the surviving aesthetic treasures of Panjim. The man responsible for parlaying what was once a swamp into one of the world&#8217;s most beautiful cities was the Portuguese Viceroy D. Manoel Francisco de Portugal e Castro. It was during his tenure, 1827-1835, that the marshland was reclaimed and the city&#8217;s layout [...]]]></description>
			<content:encoded><![CDATA[<p>This installment presents some of the surviving aesthetic treasures of <strong>Panjim</strong>.  </p>
<p>The man responsible for parlaying what was once a swamp into one of the world&#8217;s most beautiful cities was the Portuguese Viceroy <strong>D. Manoel Francisco de Portugal e Castro</strong>.  It was during his tenure, <strong>1827-1835</strong>, that the marshland was reclaimed and the city&#8217;s layout conceived.  A suite of important buildings arose around this time, such as the <strong>Old Customs House (Alfandega)</strong>, and <strong>Casa da Moeda (Mint House)</strong>, seen below.</p>
<p>The <strong>Ghanekar House</strong> typifies the traditional Hindu home with its<em> raj angan</em> (central courtyard).</p>
<div>&nbsp;</div>
<div id="attachment_2576" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/05/customs-house.jpg" alt="Old Customs House, Panjim" title="Old Customs House, Panjim" width="900" height="568" class="size-full wp-image-2576" /><p class="wp-caption-text">Old Customs House (circa 1830), Panjim<br />5D Mark II, TS-E 17L</p></div>
<div>&nbsp;</div>
<div id="attachment_2577" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/05/casa-moeda.jpg" alt="Casa da Moeda (circa 1830), Panjim" title="Casa da Moeda (circa 1830), Panjim" width="900" height="694" class="size-full wp-image-2577" /><p class="wp-caption-text">Casa da Moeda (circa 1830), Panjim<br />5D Mark II, TS-E 17L</p></div>
<div>&nbsp;</div>
<div id="attachment_2579" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/05/loja-camota.jpg" alt="Ghanekar House (19th C), Panjim" title="Ghanekar House (19th C), Panjim" width="900" height="530" class="size-full wp-image-2579" /><p class="wp-caption-text">Ghanekar House (19th C), Panjim<br />5D Mark II, TS-E 17L</p></div>
<div>&nbsp;</div>
<p>Also see -</p>
<p><a href="http://www.parrikar.com/blog/2010/03/13/panjim-promenade-3/"><strong>Panjim Promenade &#8211; 3</strong></a></p>
<p><a href="http://www.parrikar.com/blog/2010/02/18/panjim-promenade-2/"><strong>Panjim Promenade &#8211; 2</strong></a></p>
<p><a href="http://www.parrikar.com/blog/2010/01/08/panjim-promenade-1/"><strong>Panjim Promenade &#8211; 1</strong></a></p>
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		<slash:comments>2</slash:comments>
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		<title>Hanuman of Advalpal</title>
		<link>http://www.parrikar.com/blog/2010/05/11/hanuman-of-advalpal/</link>
		<comments>http://www.parrikar.com/blog/2010/05/11/hanuman-of-advalpal/#comments</comments>
		<pubDate>Tue, 11 May 2010 07:33:11 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[85L II]]></category>
		<category><![CDATA[Advalpal]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[environment]]></category>
		<category><![CDATA[Hanuman]]></category>
		<category><![CDATA[Heritage]]></category>
		<category><![CDATA[Hindu]]></category>
		<category><![CDATA[Hinduism]]></category>
		<category><![CDATA[Maruti]]></category>
		<category><![CDATA[Mining]]></category>
		<category><![CDATA[Temple]]></category>
		<category><![CDATA[Village]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2523</guid>
		<description><![CDATA[Ensconced in an orchard in the Goan village of Advalpal, an old and precious temple of Hanuman lies in a state of criminal neglect. Physical decay of the structure has taken hold, inside and out. This corrosion of the land&#8217;s cultural soul is a corollary to the ecocide underway in Goa. Inside the shrine an [...]]]></description>
			<content:encoded><![CDATA[<p>Ensconced in an orchard in the <strong>Goan</strong> village of <strong>Advalpal</strong>, an old and precious temple of <strong>Hanuman</strong> lies in a state of criminal neglect.  Physical decay of the structure has taken hold, inside and out.  This corrosion of the land&#8217;s cultural soul is a corollary to the ecocide underway in <strong>Goa</strong>.  </p>
<p>Inside the shrine an exquisite image of <strong>Maruti</strong> greets the visitor.  But there is more &#8211; the entire temple is embellished with <em>kaavi</em> (sgraffito) and represents one of the finest examples of its kind in <strong>Goa</strong>, as seen in the photographs below.</p>
<p>Ravaged by destructive mining the settlement of <strong>Advalpal</strong> is under severe pressure from rapacious miners and their political enablers.  The future of this temple is highly uncertain &#8211; it is located on private property and the owner has had &#8216;offers&#8217;.</p>
<div id="attachment_2525" class="wp-caption aligncenter" style="width: 511px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/05/maruti-1.jpg" alt="Hanuman of Advalpal, Goa" title="Hanuman of Advalpal, Goa" width="501" height="700" class="size-full wp-image-2525" /><p class="wp-caption-text">Hanuman of Advalpal, Goa<br />5D, 85L II</p></div>
<div>&nbsp;</div>
<div id="attachment_2526" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/05/maruti-2.jpg" alt="Hanuman Temple in Advalpal, Goa" title="Hanuman Temple in Advalpal, Goa" width="900" height="669" class="size-full wp-image-2526" /><p class="wp-caption-text">Hanuman temple in Advalpal, Goa<br />5D, 24-105L</p></div>
<div>&nbsp;</div>
<div id="attachment_2527" class="wp-caption aligncenter" style="width: 760px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/05/maruti-3.jpg" alt="Kaavi Art at Hanuman Temple in Advalpal" title="Kaavi Art at Hanuman Temple in Advalpal" width="750" height="694" class="size-full wp-image-2527" /><p class="wp-caption-text"><em>Kaavi</em>  art on temple façade<br />5D, 24-105L</p></div>
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		<title>Chapel on the Hill</title>
		<link>http://www.parrikar.com/blog/2010/03/26/chapel-on-the-hill/</link>
		<comments>http://www.parrikar.com/blog/2010/03/26/chapel-on-the-hill/#comments</comments>
		<pubDate>Fri, 26 Mar 2010 08:41:24 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[Adil Shah]]></category>
		<category><![CDATA[Chapel]]></category>
		<category><![CDATA[Conquest]]></category>
		<category><![CDATA[Divar]]></category>
		<category><![CDATA[Mary Mount]]></category>
		<category><![CDATA[Old Goa]]></category>
		<category><![CDATA[Portuguese]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2368</guid>
		<description><![CDATA[When Afonso de Albuquerque first tried to claim Goa in 1510, his men encountered fierce resistance from Adil Shah&#8217;s forces from their vantage point atop a hillock in Old Goa. Stunned by the intensity of the opposition Albuquerque was forced to retreat. But he was to return in a few months and dislodge Adil Shah. [...]]]></description>
			<content:encoded><![CDATA[<p>When Afonso de Albuquerque first tried to claim <strong>Goa</strong> in 1510, his men encountered fierce resistance from Adil Shah&#8217;s forces from their vantage point atop a hillock in <strong>Old Goa</strong>.  Stunned by the intensity of the opposition Albuquerque was forced to retreat.  But he was to return in a few months and dislodge Adil Shah.  Albuquerque did not forget the high ground from where he had been barraged.  After his triumph, he erected a hermitage on the hillock in honour of Mary which later morphed into a chapel known to us now as the <strong>Chapel of Our Lady of the Mount</strong>.  This was the site of an old Hindu temple that had been destroyed, probably by the Muslims; Albuquerque was known to have sought cooperation of the Hindus in his fight against the Muslims.</p>
<p>From its perch there are sweeping vistas to be enjoyed.  The island of <strong>Divar</strong> to the north across <strong>River Mandovi</strong> is a picture of serenity, and to the west are the monuments of Old Goa.  The chapel recently underwent restoration with funding from Fundação Oriente.  </p>
<p>I dig this locale for its vistas and for the solitude it provides for quiet contemplation.  But it won&#8217;t remain that way for long.  The adjacent forest at the foot of the hillock has been depleted and is being primed for construction.  Shame on Goans!</p>
<p>The final image in this series is a photograph of a photograph from the archives collection of <strong>Central Library</strong> in <strong>Panjim</strong>.</p>
<div id="attachment_2370" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/03/chapel-fromdivar.jpg" alt="Chapel of Our Lady of the Mount seen from Divar" title="Chapel of Our Lady of the Mount seen from Divar" width="850" height="633" class="size-full wp-image-2370" /><p class="wp-caption-text">Chapel of Our Lady of the Mount seen from Divar<br />5D, 300L f/4</p></div>
<div>&nbsp;</div>
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<div id="attachment_2371" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/03/chapel-monsoon.jpg" alt="Chapel of Our Lady of the Mount in the monsoon" title="Chapel of Our Lady of the Mount in the monsoon" width="850" height="633" class="size-full wp-image-2371" /><p class="wp-caption-text">Chapel of Our Lady of the Mount during the monsoon<br />5D, 24-105L</p></div>
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<div id="attachment_2372" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/03/chapel-november.jpg" alt="Chapel of Our Lady of the Mount " title="Chapel of Our Lady of the Mount " width="850" height="641" class="size-full wp-image-2372" /><p class="wp-caption-text">Chapel of Our Lady of the Mount after the monsoon<br />5D II, 24-105L</p></div>
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<p><div id="attachment_2373" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/03/chapel-1925.jpg" alt="Chapel of Our Lady of the Mount" title="Chapel of Our Lady of the Mount" width="850" height="559" class="size-full wp-image-2373 exclude" /><p class="wp-caption-text">Chapel of Our Lady of the Mount c. 1925 (© Souza and Paul)</p></div>
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		<title>Panjim Promenade &#8211; 3</title>
		<link>http://www.parrikar.com/blog/2010/03/13/panjim-promenade-3/</link>
		<comments>http://www.parrikar.com/blog/2010/03/13/panjim-promenade-3/#comments</comments>
		<pubDate>Sat, 13 Mar 2010 22:51:23 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Places]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[Art Deco]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Heritage]]></category>
		<category><![CDATA[Hotel Mandovi]]></category>
		<category><![CDATA[Hotel Republica]]></category>
		<category><![CDATA[Hotels]]></category>
		<category><![CDATA[Panaji]]></category>
		<category><![CDATA[Panjim]]></category>
		<category><![CDATA[TS-E 17L]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=2309</guid>
		<description><![CDATA[In this installment, we look at two of Panjim&#8217;s legendary hotels. The 19th C Hotel Republica is among the city&#8217;s earliest hotels, and is located along Afonso Mexia Road in central Panjim, near the Old Secretariat building. W. Somerset Maugham stayed here in 1938 during his visit to Goa. If I recall correctly, the hotel [...]]]></description>
			<content:encoded><![CDATA[<p>In this installment, we look at two of Panjim&#8217;s legendary hotels.</p>
<p>The 19th C <strong>Hotel Republica</strong> is among the city&#8217;s earliest hotels, and is located along Afonso Mexia Road in central Panjim, near the Old Secretariat building.  <strong>W. Somerset Maugham</strong> stayed here in 1938 during his visit to Goa.  If I recall correctly, the hotel also had a bit role in World War II history &#8211; German spies were caught on its premises.  Today, <strong>Hotel Republica</strong> has devolved into a low budget way station for ill-mannered tourist hordes.</p>
<div id="attachment_2310" class="wp-caption aligncenter" style="width: 670px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/03/republica.jpg" alt="Hotel Republica in Panjim, Goa" title="Hotel Republica in Panjim, Goa" width="660" height="725" class="size-full wp-image-2310" /><p class="wp-caption-text">Hotel Republica in Panjim, Goa<br />5D Mark II, TS-E 17L</p></div>
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<p><strong>Hotel Mandovi</strong> enjoys the same kind of cachet in the Goan mind as that accorded the Taj Mahal Hotel by the denizens of Mumbai.  The hotel was erected on the Noronha family land (the family chapel still stands), and is owned by the Quenim family.  Built in the Art Deco style, it first opened for business on December 1, 1952.  Although some of the old world elegance has now frayed, its restaurant <strong>Riorico</strong> is known to this day for outstanding Goan cuisine, especially its signature Goan-Portuguese specialties.</p>
<div id="attachment_2311" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/03/mandovi.jpg" alt="Hotel Mandovi in Panjim, Goa" title="Hotel Mandovi in Panjim, Goa" width="900" height="685" class="size-full wp-image-2311" /><p class="wp-caption-text">Hotel Mandovi in Panjim, Goa<br />5D Mark II, TS-E 17L</p></div>
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<p>Also see -</p>
<p><a href="http://www.parrikar.com/blog/2010/02/18/panjim-promenade-2/"><strong>Panjim Promenade &#8211; 2.</strong></a><br />
<a href="http://www.parrikar.com/blog/2010/01/08/panjim-promenade-1/"><strong>Panjim Promenade &#8211; 1.</strong></a></p>
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		<title>Panjim Promenade &#8211; 2</title>
		<link>http://www.parrikar.com/blog/2010/02/18/panjim-promenade-2/</link>
		<comments>http://www.parrikar.com/blog/2010/02/18/panjim-promenade-2/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 09:38:06 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Places]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Casa Dempo]]></category>
		<category><![CDATA[Heritage]]></category>
		<category><![CDATA[Panaji]]></category>
		<category><![CDATA[Panjim]]></category>
		<category><![CDATA[traditional Hindu house]]></category>
		<category><![CDATA[TS-E 17L]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=1875</guid>
		<description><![CDATA[Casa Dempo, built c. 1850, is located in the heart of Panjim. It was the first home of the Dempo family when they moved to Panjim. The Dempos are among the oldest of the Goan Saraswat Brahmin clans. Built in classic Goan style, the interior layout features traditional Goan Hindu elements such as a raj [...]]]></description>
			<content:encoded><![CDATA[<p><strong>Casa Dempo</strong>, built c. 1850, is located in the heart of <strong>Panjim</strong>.  It was the first home of the <strong>Dempo</strong> family when they moved to Panjim.  The Dempos are among the oldest of the <strong>Goan Saraswat Brahmin</strong> clans.  Built in classic Goan style, the interior layout features traditional Goan Hindu elements such as a <em>raj aangan</em>.</p>
<p><strong>Casa Dempo</strong> also has an uplifting past.  For several decades, the Dempos have thrown open its premises to thousands during lunchtime and served free vegetarian food &#8211; <em>annachhatra</em>, as this old Hindu practice is called.  In particular, generations of needy students of all religions and castes have benefited from this largesse of the Dempo family.</p>
<p>Beyond <strong>Casa Dempo</strong> in the photograph below, the old building with the yellow facade houses the government printing press. (Aside: the first printing press in India was set up in Goa in 1556.)</p>
<div id="attachment_1879" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/02/casa-dempo.jpg" alt="Casa Dempo in Panjim, Goa" title="Casa Dempo in Panjim, Goa" width="900" height="509" class="size-full wp-image-1879" /><p class="wp-caption-text">Casa Dempo in Panjim, Goa<br />5D Mark II, TS-E 17L</p></div>
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<p>Take a look at the next item &#8211; a photograph of an old photograph (c. 1880) from the Central Library archives.  Seen are the homes on what used to be the Afonso de Albuquerque Road (now the Mahatma Gandhi Road).  The red arrow points to <strong>Casa Dempo</strong>.  I took my shot above standing only a few feet right of the man seen in the middle of the street.</p>
<div id="attachment_1880" class="wp-caption aligncenter" style="width: 810px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/02/casa-dempo-old.jpg" alt="Casa Dempo around 1880" title="Casa Dempo around 1880" width="800" height="539" class="size-full wp-image-1880" exclude/><p class="wp-caption-text">Casa Dempo around 1880 (from the Central Library Archives)</p></div>
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<p>Also see: <a href="http://www.parrikar.com/blog/2010/01/08/panjim-promenade-1/"><strong>Panjim Promenade &#8211; 1.</strong></a></p>
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		<title>Temple in the Forest</title>
		<link>http://www.parrikar.com/blog/2010/02/11/temple-in-the-forest/</link>
		<comments>http://www.parrikar.com/blog/2010/02/11/temple-in-the-forest/#comments</comments>
		<pubDate>Fri, 12 Feb 2010 03:19:38 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Places]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[Ancient]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Mahadev]]></category>
		<category><![CDATA[Mahadeva]]></category>
		<category><![CDATA[Shiva]]></category>
		<category><![CDATA[Tambdi Surla]]></category>
		<category><![CDATA[Temple]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=1822</guid>
		<description><![CDATA[The Hindu festival of Mahashivaratri will be celebrated on February 12 this year. The 12th C temple of Mahadeva (another name for Shiva) set in a remote forest at Tambdi Surla is Goa&#8216;s oldest surviving temple. It remains a place of active worship to this day. This photograph was taken in 2007 in the thick [...]]]></description>
			<content:encoded><![CDATA[<p>The <strong>Hindu</strong> festival of <a href="http://en.wikipedia.org/wiki/Maha_Shivaratri"><strong>Mahashivaratri</strong></a> will be celebrated on February 12 this year.</p>
<p>The <a href="http://en.wikipedia.org/wiki/Mahadev_Temple,_Tambdi_Surla"><strong>12th C temple of Mahadeva</strong></a> (another name for <strong>Shiva</strong>) set in a remote forest at <strong>Tambdi Surla</strong> is <strong>Goa</strong>&#8216;s oldest surviving temple.  It remains a place of active worship to this day.</p>
<p>This photograph was taken in 2007 in the thick of the monsoon season.  When I got to Tambdi Surla that morning a heavy downpour had just subsided.  The ambience was magical and this framing suggested itself quite naturally.  The slight colour cast of green on the temple structure is not a processing artifact; it is a consequence of the wet temple reflecting the surrounding foliage.</p>
<div id="attachment_1823" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/02/tambdisurla.jpg" alt="Mahadeva Temple at Tambdi Surla, Goa" title="Mahadeva Temple at Tambdi Surla, Goa" width="900" height="610" class="size-full wp-image-1823" /><p class="wp-caption-text">12th C Mahadeva Temple at Tambdi Surla, Goa<br />5D, 24-105L</p></div>
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<p><a href="http://www.parrikar.com/blog/2009/07/16/monsoon-glory-2/"><strong>See this earlier entry</strong></a> for another view of the temple.</p>
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		<title>Deepastambha</title>
		<link>http://www.parrikar.com/blog/2010/02/01/deepastambha/</link>
		<comments>http://www.parrikar.com/blog/2010/02/01/deepastambha/#comments</comments>
		<pubDate>Mon, 01 Feb 2010 08:01:00 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[85L II]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Chopodem]]></category>
		<category><![CDATA[deepastambha]]></category>
		<category><![CDATA[Hindu goddess]]></category>
		<category><![CDATA[Mardol]]></category>
		<category><![CDATA[Mayem]]></category>
		<category><![CDATA[Temple]]></category>
		<category><![CDATA[TS-E 17L]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=1707</guid>
		<description><![CDATA[The Deepastambha is a characteristic feature found in the courtyards of Goa&#8216;s Hindu temples. The word is formed by conjoining the Sanskrit words Deepa (lamp) and Stambha (pillar), and thus means &#8220;Pillar of Lamps.&#8221; This photograph of the Deepastambha at the Mahalsa temple in Mardol was taken at daybreak. &#160; &#160; A more modest Deepasthamba [...]]]></description>
			<content:encoded><![CDATA[<p>The <strong><em>Deepastambha</em></strong> is a characteristic feature found in the courtyards of <strong>Goa</strong>&#8216;s Hindu temples.  The word is formed by conjoining the Sanskrit words <strong><em>Deepa</em></strong> (lamp) and <strong><em>Stambha</em></strong> (pillar), and thus means &#8220;Pillar of Lamps.&#8221;</p>
<p>This photograph of the <strong><em>Deepastambha</em></strong> at the <a href="http://en.wikipedia.org/wiki/Mahalasa"><strong>Mahalsa</strong></a> temple in <strong>Mardol</strong> was taken at daybreak.</p>
<div id="attachment_1708" class="wp-caption aligncenter" style="width: 493px"><a href="http://www.parrikar.com/blog/wp-content/uploads/2010/01/deepastambha-mardol.jpg"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/01/deepastambha-mardol.jpg" alt="Deepastambha at Mahalsa temple in Mardol, Goa" title="Deepastambha at Mahalsa temple in Mardol, Goa" width="483" height="750" class="size-full wp-image-1708" /></a><p class="wp-caption-text">Deepastambha at Mahalsa temple in Mardol, Goa<br />5D Mark II, TS-E 17L</p></div>
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<p>A more modest <strong><em>Deepasthamba</em></strong> adorns the courtyard of the temple of <strong>Goddess Bhumika</strong> in the village of <strong>Chopdem</strong>.</p>
<div id="attachment_1714" class="wp-caption aligncenter" style="width: 910px"><a href="http://www.parrikar.com/blog/wp-content/uploads/2010/02/deepastambha-chopdem.jpg"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/02/deepastambha-chopdem.jpg" alt="Deepastambha at Bhumika temple in Chopdem, Goa" title="Deepastambha at Bhumika temple in Chopdem, Goa" width="900" height="568" class="size-full wp-image-1714" /></a><p class="wp-caption-text">Deepastambha at Bhumika temple in Chopdem, Goa<br />5D Mark II, 85L II</p></div>
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<p>An ancient <strong><em>Deepasthamba</em></strong> near the remains of <strong>Piso Ravlu</strong> temple in <strong>Mayem</strong> is embraced by a <a href="http://en.wikipedia.org/wiki/Sacred_fig"><strong>Peepal</strong></a> tree.</p>
<div id="attachment_1722" class="wp-caption aligncenter" style="width: 910px"><a href="http://www.parrikar.com/blog/wp-content/uploads/2010/02/deepastambha-mayem.jpg"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/02/deepastambha-mayem.jpg" alt="Deepastambha in Mayem, Goa" title="Deepastambha in Mayem, Goa" width="900" height="653" class="size-full wp-image-1722" /></a><p class="wp-caption-text">Deepastambha in Mayem, Goa<br />5D, 24-105L</p></div>
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