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	<title>Photo Blog by Rajan Parrikar &#187; Portrait</title>
	<atom:link href="http://www.parrikar.com/blog/category/photography/portrait/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.parrikar.com/blog</link>
	<description>Satyam Shivam Sundaram (Truth, Divinity, Beauty)</description>
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		<title>Saptakoteshwar of Naroa</title>
		<link>http://www.parrikar.com/blog/2012/01/20/saptakoteshwar-of-naroa/</link>
		<comments>http://www.parrikar.com/blog/2012/01/20/saptakoteshwar-of-naroa/#comments</comments>
		<pubDate>Fri, 20 Jan 2012 20:37:26 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[Bahmani Sultans]]></category>
		<category><![CDATA[Bicholim]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Christianity]]></category>
		<category><![CDATA[Conversion]]></category>
		<category><![CDATA[Divar]]></category>
		<category><![CDATA[Heritage]]></category>
		<category><![CDATA[Hindu]]></category>
		<category><![CDATA[Hinduism]]></category>
		<category><![CDATA[Linga]]></category>
		<category><![CDATA[Lingam]]></category>
		<category><![CDATA[Mario Miranda]]></category>
		<category><![CDATA[Naroa]]></category>
		<category><![CDATA[Narve]]></category>
		<category><![CDATA[Portuguese]]></category>
		<category><![CDATA[Saptakoteshwar]]></category>
		<category><![CDATA[Shiva]]></category>
		<category><![CDATA[Shivaji]]></category>
		<category><![CDATA[Temple]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=8810</guid>
		<description><![CDATA[Legend has it that a group of sages on the island of Divar in Goa undertook penance to propitiate Shiva. It took seven crore (sapta-kot) years for the Great Yogi to take notice of their exertions. When He finally showed up, the sages petitioned Him to take up residence in the village of Naroa (also [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2012/01/20/saptakoteshwar-of-naroa/">clicking here</a>. </b></em></p><p>Legend has it that a group of sages on the island of <strong>Divar</strong> in <strong>Goa</strong> undertook penance to propitiate <strong>Shiva</strong>.  It took seven crore (<em>sapta-kot</em>) years for the Great Yogi to take notice of their exertions.  When He finally showed up, the sages petitioned Him to take up residence in the village of <strong>Naroa</strong> (also called Narve).  Thus came about the great temple of <a href="http://en.wikipedia.org/wiki/Saptakoteshwar_Temple" title="Saptakoteshwar  Temple of Naroa, Goa" target="_blank"><strong>Saptakoteshwar</strong></a> in Naroa-Divar, one that enjoys a special place in the Goan psyche for its singular role in our land&#8217;s turbulent history.  </p>
<p><strong>Saptakoteshwar</strong> weathered intrusions first by the Bahmani sultans, and later by the Portuguese who destroyed it.  The first mass conversion of Goan Hindus to Christianity took place here on August 15, 1560, cleverly engineered by the Portuguese on the day of <em>Gokulashtami</em>, traditionally the most important celebration at the temple.  The provenance of one of <strong>Goa</strong>&#8216;s popular folk tunes, <em>Hanv Saiba poltodi vaita</em>, can be traced to this event.</p>
<p>At the original temple site in Naroa-Divar today stands the Chapel of Our Lady of Candelaria, and nearby lie the remains of the temple tank.  The ancient <a href="http://en.wikipedia.org/wiki/Lingam" title="Linga" target="_blank"><strong><em>linga</em></strong></a> has its own tale of woes to tell, even serving as a pulley for a nearby well.  Finally it made its way across the river to be reinstalled at a new site which came to be known as New Naroa, today&#8217;s Narve in Bicholim taluka.  The temple was restored by <strong>Shivaji</strong> in 1668.</p>
<div id="attachment_8811" class="wp-caption aligncenter" style="width: 935px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2012/01/saptakoteshwar-temple-naroa-1-300x162.jpg" width="300" height="162" alt="" /><p class="wp-caption-text">Saptakoteshwar Temple at Narve, Goa<br />5D, 24-105L</p></div>
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<div id="attachment_8812" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2012/01/saptakoteshwar-temple-naroa-2-300x267.jpg" width="300" height="267" alt="" /><p class="wp-caption-text">Saptakoteshwar<br />5D, 24-105L</p></div>
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<div id="attachment_8813" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2012/01/mario-miranda-saptakoteshwar-temple-300x222.jpg" width="300" height="222" alt="" /><p class="wp-caption-text">Saptakoteshwar Temple by Mario Miranda<br />(Reproduced with permission of the Mario Gallery)</p></div>
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<div id="attachment_8814" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2012/01/dattaram-narvekar-300x290.jpg" width="300" height="290" alt="" /><p class="wp-caption-text">Temple musician Dattaram Ramkrishna Narvekar<br />5D, 24-105L</p></div>
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		<slash:comments>3</slash:comments>
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		<title>Mario Miranda (1926-2011)</title>
		<link>http://www.parrikar.com/blog/2011/12/11/mario-miranda-1926-2011/</link>
		<comments>http://www.parrikar.com/blog/2011/12/11/mario-miranda-1926-2011/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 19:34:11 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[70-200L f/2.8 IS]]></category>
		<category><![CDATA[Camion]]></category>
		<category><![CDATA[Camioneta]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Carreira]]></category>
		<category><![CDATA[Cartoon]]></category>
		<category><![CDATA[Cartoonist]]></category>
		<category><![CDATA[Goan]]></category>
		<category><![CDATA[Illustrator]]></category>
		<category><![CDATA[Life]]></category>
		<category><![CDATA[Lotolim]]></category>
		<category><![CDATA[Loutolim]]></category>
		<category><![CDATA[Mario]]></category>
		<category><![CDATA[Mario Miranda]]></category>
		<category><![CDATA[Miranda]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Satire]]></category>
		<category><![CDATA[Village]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7902</guid>
		<description><![CDATA[The renowned Goan cartoonist and illustrator Mario Miranda passed away today in his village of Loutulim, Goa. Mario-bab was an old world Goan and had in him that inestimable quality of graciousness. He was known best for his brilliant depiction of Goa and his political satire. His canvas was often &#8216;busy&#8217; but insofar as Goa [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/12/11/mario-miranda-1926-2011/">clicking here</a>. </b></em></p><p>The renowned Goan cartoonist and illustrator <a href="http://en.wikipedia.org/wiki/Mario_Miranda" title="Mario Miranda" target="_blank"><strong>Mario Miranda</strong></a> passed away today in his village of <strong>Loutulim, Goa</strong>.</p>
<p><strong>Mario</strong>-bab was an old world Goan and had in him that inestimable quality of graciousness.  He was known best for his brilliant depiction of <strong>Goa</strong> and his political satire.  His canvas was often &#8216;busy&#8217; but insofar as <strong>Goa</strong> is concerned, it reflected <strong>Mario</strong>&#8216;s deep love for his Goan homeland,  his insight into its culture, and his attention to detail.</p>
<p>One morning in 2007 when my wife and I dropped by unannounced at his house in Loutolim, he was kind enough to spend time with us, and presented us a signed copy of his book, <strong><em>GOA with love</em></strong>.</p>
<div>&nbsp;</div>
<div id="attachment_7903" class="wp-caption aligncenter" style="width: 687px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/12/mario-238x300.jpg" width="238" height="300" alt="" /><p class="wp-caption-text">Mario Miranda<br />5D, 70-200L f/2.8 IS</p></div>
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<div id="attachment_7904" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/12/mario-study-300x184.jpg" width="300" height="184" alt="" /><p class="wp-caption-text">Mario Miranda in his study at Loutolim, Goa<br />5D, 70-200L f/2.8 IS</p></div>
<div>&nbsp;</div>
<div id="attachment_7906" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/12/mario-signed-page-300x242.jpg" width="300" height="242" alt="" /><p class="wp-caption-text"><em>GOA with love</em> (our signed copy)</p></div>
<div>&nbsp;</div>
<div id="attachment_7907" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/12/mario-goa-cartoon-300x242.jpg" width="300" height="242" alt="" /><p class="wp-caption-text">Rao re!  Rao re! (Stop! Stop!)</p></div>
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		<slash:comments>6</slash:comments>
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		<title>Woz</title>
		<link>http://www.parrikar.com/blog/2011/11/18/woz/</link>
		<comments>http://www.parrikar.com/blog/2011/11/18/woz/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 07:50:12 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[California]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[85L II]]></category>
		<category><![CDATA[Apple]]></category>
		<category><![CDATA[Apple Computer]]></category>
		<category><![CDATA[Apple I]]></category>
		<category><![CDATA[Apple II]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Co-Founder]]></category>
		<category><![CDATA[Computer]]></category>
		<category><![CDATA[Electronics]]></category>
		<category><![CDATA[Janet]]></category>
		<category><![CDATA[Los Gatos]]></category>
		<category><![CDATA[Silicon Valley]]></category>
		<category><![CDATA[Steve]]></category>
		<category><![CDATA[Steve Jobs]]></category>
		<category><![CDATA[Woz]]></category>
		<category><![CDATA[Wozniak]]></category>
		<category><![CDATA[Zeiss 100 f/2 Makro Planar]]></category>
		<category><![CDATA[Zeiss 50 f/2 Makro Planar]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7783</guid>
		<description><![CDATA[Silicon Valley legend Steve Wozniak (&#8220;Woz&#8221;) is one of the pioneers of the personal computer revolution. He co-founded Apple Computer in 1976 along with Steve Jobs. It was Woz, the engineering genius, who designed and built the company&#8217;s first products, the Apple I and Apple II. I met Woz and his charming wife Janet last [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/11/18/woz/">clicking here</a>. </b></em></p><p>Silicon Valley legend <a href="http://en.wikipedia.org/wiki/Steve_Wozniak" title="Woz" target="_blank"><strong>Steve Wozniak (&#8220;Woz&#8221;)</strong></a> is one of the pioneers of the personal computer revolution.  He co-founded <a href="http://en.wikipedia.org/wiki/Apple_Inc." title="Apple Inc" target="_blank"><strong>Apple Computer</strong></a> in 1976 along with <strong>Steve Jobs</strong>.  It was <strong>Woz</strong>, the engineering genius, who designed and built the company&#8217;s first products, the <a href="http://en.wikipedia.org/wiki/Apple_I" title="Apple I" target="_blank"><strong>Apple I</strong></a> and <a href="http://en.wikipedia.org/wiki/Apple_II" title="Apple II" target="_blank"><strong>Apple II</strong></a>.</p>
<p>I met <strong>Woz</strong> and his charming wife <strong>Janet</strong> last evening for a photo session in <strong>Los Gatos, California</strong>.</p>
<div>&nbsp;</div>
<div id="attachment_7784" class="wp-caption aligncenter" style="width: 763px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/11/woz-1-251x300.jpg" width="251" height="300" alt="" /><p class="wp-caption-text">Steve Wozniak<br />5D Mark II, 85L II</p></div>
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<div id="attachment_7785" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/11/woz-2-300x296.jpg" width="300" height="296" alt="" /><p class="wp-caption-text">Woz<br />5D Mark II, Zeiss ZE 100 f/2 Makro Planar</p></div>
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<div id="attachment_7786" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/11/woz-3-300x206.jpg" width="300" height="206" alt="" /><p class="wp-caption-text">Steve and Janet Wozniak<br />5D Mark II, Zeiss ZE 50 f/2 Makro Planar</p></div>
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<p><strong>Added:</strong>  The following shot is my favourite.  However, it was taken at f/1.8, resulting in a very shallow depth of field that throws the nose distractingly out of focus.</p>
<div id="attachment_7816" class="wp-caption aligncenter" style="width: 842px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/11/woz-4-277x300.jpg" width="277" height="300" alt="" /><p class="wp-caption-text">Woz<br />5D Mark II, 85L II</p></div>
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]]></content:encoded>
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		<slash:comments>4</slash:comments>
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		<title>Man on the Ferry</title>
		<link>http://www.parrikar.com/blog/2011/11/13/man-on-the-ferry/</link>
		<comments>http://www.parrikar.com/blog/2011/11/13/man-on-the-ferry/#comments</comments>
		<pubDate>Sun, 13 Nov 2011 22:10:05 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Goa]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Caetano Sapeco]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Divar]]></category>
		<category><![CDATA[Ferry]]></category>
		<category><![CDATA[Ferryman]]></category>
		<category><![CDATA[Mandovi]]></category>
		<category><![CDATA[River]]></category>
		<category><![CDATA[St Cruz]]></category>
		<category><![CDATA[Zeiss 100 f/2 Makro Planar]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7765</guid>
		<description><![CDATA[An assistant ferryman on the job on the Mandovi river in Goa. &#160; &#160;]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/11/13/man-on-the-ferry/">clicking here</a>. </b></em></p><p>An assistant ferryman on the job on the Mandovi river in <strong>Goa</strong>.</p>
<div id="attachment_7766" class="wp-caption aligncenter" style="width: 935px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/11/sapeco-300x200.jpg" width="300" height="200" alt="" /><p class="wp-caption-text">Caetano Sapeco of St Cruz, Goa<br />5D Mark II, Zeiss ZE 100 f/2 Makro Planar</p></div>
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]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<title>Nirmalabai</title>
		<link>http://www.parrikar.com/blog/2011/10/10/nirmalabai/</link>
		<comments>http://www.parrikar.com/blog/2011/10/10/nirmalabai/#comments</comments>
		<pubDate>Mon, 10 Oct 2011 06:13:28 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Candid]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[135L]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Korgaon]]></category>
		<category><![CDATA[Nirmala Jadhav]]></category>
		<category><![CDATA[Pernem]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7359</guid>
		<description><![CDATA[These are images of Nirmalabai Jadhav made one late evening in Korgaon in north Goa. She was crossing the village square when I first noticed her. When I went up and asked if she would agree to a portrait, she was moved to tears. &#160; &#160; &#160; &#160;]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/10/10/nirmalabai/">clicking here</a>. </b></em></p><p>These are images of <strong>Nirmalabai Jadhav</strong> made one late evening in <strong>Korgaon</strong> in north <strong>Goa</strong>.  She was crossing the village square when I first noticed her.  When I went up and asked if she would agree to a portrait, she was moved to tears.</p>
<div id="attachment_7360" class="wp-caption aligncenter" style="width: 654px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/10/nirmalabai-1-214x300.jpg" width="214" height="300" alt="" /><p class="wp-caption-text">Nirmala Jadhav of Korgaon, Goa<br />5D Mark II, 135L</p></div>
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<div id="attachment_7361" class="wp-caption aligncenter" style="width: 754px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/10/nirmalabai-2-248x300.jpg" width="248" height="300" alt="" /><p class="wp-caption-text">Crossing the street<br />5D Mark II, 135L</p></div>
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<div id="attachment_7362" class="wp-caption aligncenter" style="width: 891px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/10/nirmalabai-portrait-293x300.jpg" width="293" height="300" alt="" /><p class="wp-caption-text">Nirmalabai<br />5D Mark II, 135L</p></div>
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		<slash:comments>3</slash:comments>
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		<title>Icelandic Sheep</title>
		<link>http://www.parrikar.com/blog/2011/09/18/icelandic-sheep/</link>
		<comments>http://www.parrikar.com/blog/2011/09/18/icelandic-sheep/#comments</comments>
		<pubDate>Sun, 18 Sep 2011 18:34:15 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Food]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Wildlife]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[70-200L f/2.8 IS II]]></category>
		<category><![CDATA[85L II]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Gerdi]]></category>
		<category><![CDATA[Höfn]]></category>
		<category><![CDATA[Icelandic Sheep]]></category>
		<category><![CDATA[Lamb]]></category>
		<category><![CDATA[Meat]]></category>
		<category><![CDATA[Núpsstaður]]></category>
		<category><![CDATA[Réttir]]></category>
		<category><![CDATA[Ring Road]]></category>
		<category><![CDATA[Sheep]]></category>
		<category><![CDATA[Skaftartungur]]></category>
		<category><![CDATA[South Iceland]]></category>
		<category><![CDATA[Wool]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7234</guid>
		<description><![CDATA[For over 1000 years, the Icelandic sheep has remained a pure breed. Raised wholly on natural mountain grass and without hormones, the quality of Icelandic wool and lamb meat is rated to be the finest in the world. The annual sheep roundup in September, known as réttir, is an important cultural tradition, an occasion for [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/09/18/icelandic-sheep/">clicking here</a>. </b></em></p><p>For over 1000 years, the <a href="http://en.wikipedia.org/wiki/Icelandic_sheep" title="Icelandic Sheep" target="_blank"><strong>Icelandic sheep</strong></a> has remained a pure breed.  Raised wholly on natural mountain grass and without hormones, the quality of Icelandic wool and lamb meat is rated to be the finest in the world.  The annual sheep roundup in September, known as <strong><em>réttir</em></strong>, is an important cultural tradition, an occasion for both work and celebration, where families and friends gather on farms all over the country to participate in the ritual to track down, corral and sort the animals.</p>
<div id="attachment_7235" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/09/sheep-1-300x189.jpg" width="300" height="189" alt="" /><p class="wp-caption-text">Traffic jam on the Ring Road near Höfn<br />5D Mark II, 24-105L</p></div>
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<div id="attachment_7236" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/09/sheep-2-300x200.jpg" width="300" height="200" alt="" /><p class="wp-caption-text">Herding sheep on the Ring Road near Höfn<br />5D Mark II, 24-105L</p></div>
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<div id="attachment_7237" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/09/sheep-3-300x262.jpg" width="300" height="262" alt="" /><p class="wp-caption-text">Curious - at Núpsstaður<br />5D Mark II, 24-105L</p></div>
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<div id="attachment_7238" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/09/lamb-300x233.jpg" width="300" height="233" alt="" /><p class="wp-caption-text">Icelandic lamb - at Gerði<br />5D Mark II, 85L II</p></div>
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<div id="attachment_7239" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/09/sheep-4-300x159.jpg" width="300" height="159" alt="" /><p class="wp-caption-text">The annual autumn roundup - at Skaftartungur<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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		<title>Mahadeo Bali</title>
		<link>http://www.parrikar.com/blog/2011/08/29/mahadeo-bali/</link>
		<comments>http://www.parrikar.com/blog/2011/08/29/mahadeo-bali/#comments</comments>
		<pubDate>Mon, 29 Aug 2011 22:19:31 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Candid]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Korgaon]]></category>
		<category><![CDATA[Mahadeo Bali]]></category>
		<category><![CDATA[Zeiss 100 f/2 Makro Planar]]></category>
		<category><![CDATA[Zeiss 50 f/2 Makro Planar]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7151</guid>
		<description><![CDATA[As soon as I saw the figure of Mahadeo Bali one evening in Korgaon, I knew that I had a great subject for a portrait. The first image below is a candid, moments before he saw me with the lens pointed at him. There is something very Goan about him. Men of this manner and [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/08/29/mahadeo-bali/">clicking here</a>. </b></em></p><p>As soon as I saw the figure of <strong>Mahadeo Bali</strong> one evening in <a href="http://www.parrikar.com/blog/tag/korgaon/" title="Korgaon"><strong>Korgaon</strong></a>, I knew that I had a great subject for a portrait.  The first image below is a candid, moments before he saw me with the lens pointed at him.  There is something very Goan about him.  Men of this manner and look won&#8217;t be around for long.  </p>
<div id="attachment_7152" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/bali-1-300x248.jpg" width="300" height="248" alt="" /><p class="wp-caption-text">Mahadeo Bali of Korgaon, Goa<br />5D Mark II, Zeiss ZE 50 f/2 Makro Planar</p></div>
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<div id="attachment_7153" class="wp-caption aligncenter" style="width: 732px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/bali-2-254x300.jpg" width="254" height="300" alt="" /><p class="wp-caption-text">Mahadeo Bali<br />5D Mark II, Zeiss ZE 100 f/2 Makro Planar</p></div>
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		<title>The Tailor of Korgaon</title>
		<link>http://www.parrikar.com/blog/2011/08/27/the-tailor-of-korgaon/</link>
		<comments>http://www.parrikar.com/blog/2011/08/27/the-tailor-of-korgaon/#comments</comments>
		<pubDate>Sat, 27 Aug 2011 18:42:06 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Candid]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[Barber]]></category>
		<category><![CDATA[Bespoke]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Korgaon]]></category>
		<category><![CDATA[Pernem]]></category>
		<category><![CDATA[Suresh Hiroji]]></category>
		<category><![CDATA[Tailor]]></category>
		<category><![CDATA[Village]]></category>
		<category><![CDATA[Zeiss 100 f/2 Makro Planar]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=7116</guid>
		<description><![CDATA[We had a close shave with the barber of Korgaon sometime ago. Today we meet Suresh Hiroji, the tailor of Korgaon, an enchanting village in north Goa. Once the staple of all, rich and poor, bespoke has now gone out of fashion. Hiroji and his tribe are on their last legs but the perpetual grin [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/08/27/the-tailor-of-korgaon/">clicking here</a>. </b></em></p><p>We had a close shave with the <a href="http://www.parrikar.com/blog/2009/12/02/a-close-shave/" title="The Barber of Korgaon"><strong>barber of Korgaon</strong></a> sometime ago.  Today we meet <strong>Suresh Hiroji</strong>, the tailor of <strong>Korgaon</strong>, an enchanting village in north <strong>Goa</strong>.  Once the staple of all, rich and poor, bespoke has now gone out of fashion.  <strong>Hiroji</strong> and his tribe are on their last legs but the perpetual grin on his visage is eternal.  </p>
<p>The first two images below were taken in July this year.  In the first, a candid seen from the street, the logo of the <strong>Merritt</strong> sewing machine invented by <a href="http://en.wikipedia.org/wiki/Isaac_Singer" title="Isaac SInger" target="_blank"><strong>Isaac Singer</strong></a> is visible.  The final image was made in 2009, at a shutter speed of 1/20s, a demonstration of the excellent <a href="http://en.wikipedia.org/wiki/Image_stabilization" title="Image Stabilization" target="_blank"><strong>image stabilization</strong></a> capabilities of Canon&#8217;s <a href="http://www.the-digital-picture.com/Reviews/Canon-EF-24-105mm-f-4-L-IS-USM-Lens-Review.aspx" title="Canon EF 24-105L" target="_blank"><strong>EF 24-105L</strong></a> lens.</p>
<div id="attachment_7117" class="wp-caption aligncenter" style="width: 627px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/hiroji-1-205x300.jpg" width="205" height="300" alt="" /><p class="wp-caption-text">Suresh Hiroji, the tailor of Korgaon<br />5D Mark II, Zeiss ZE 100 f/2 Makro Planar</p></div>
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<div id="attachment_7118" class="wp-caption aligncenter" style="width: 633px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/hiroji-2-233x300.jpg" width="233" height="300" alt="" /><p class="wp-caption-text">Suresh Hiroji<br />5D Mark II, Zeiss ZE 100 f/2 Makro Planar</p></div>
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<div id="attachment_7119" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/hiroji-3-300x220.jpg" width="300" height="220" alt="" /><p class="wp-caption-text">The Art of Bespoke<br />5D Mark II, 24-105L</p></div>
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		<title>Golden Light at Látrabjarg</title>
		<link>http://www.parrikar.com/blog/2011/08/09/golden-light-at-latrabjarg/</link>
		<comments>http://www.parrikar.com/blog/2011/08/09/golden-light-at-latrabjarg/#comments</comments>
		<pubDate>Tue, 09 Aug 2011 22:25:01 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Candid]]></category>
		<category><![CDATA[Iceland]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Wildlife]]></category>
		<category><![CDATA[70-200L f/2.8 IS II]]></category>
		<category><![CDATA[Bird Cliffs]]></category>
		<category><![CDATA[Birds]]></category>
		<category><![CDATA[Breiðavík]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Golden Light]]></category>
		<category><![CDATA[Látrabjarg]]></category>
		<category><![CDATA[Midnight Sun]]></category>
		<category><![CDATA[Photographer]]></category>
		<category><![CDATA[Puffins]]></category>
		<category><![CDATA[Sheep]]></category>
		<category><![CDATA[Summer]]></category>
		<category><![CDATA[Westfjords]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=6860</guid>
		<description><![CDATA[I must have accrued a small credit of positive karma when we got to Látrabjarg, for we were fortunate to spend some glorious moments in the company of the midnight sun. Látrabjarg is Iceland&#8216;s (and Europe&#8217;s) westernmost point and one of the world&#8217;s great bird cliffs. In the summer months at these high latitudes, the [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/08/09/golden-light-at-latrabjarg/">clicking here</a>. </b></em></p><p>I must have accrued a small credit of positive <em>karma</em> when we got to <a href="http://www.danielbergmann.com/html/articles/latrabjarg2.html" title="Látrabjarg" target="_blank"><strong>Látrabjarg</strong></a>, for we were fortunate to spend some glorious moments in the company of the midnight sun.  <a href="http://www.danielbergmann.com/html/articles/latrabjarg2.html" title="Látrabjarg" target="_blank"><strong>Látrabjarg</strong></a> is <strong>Iceland</strong>&#8216;s (and Europe&#8217;s) westernmost point and one of the world&#8217;s great bird cliffs.</p>
<p>In the summer months at these high latitudes, the sun lingers over the horizon for quite a while around midnight, showering upon the landscape an ethereal stream of honey-dipped photons.  It makes for a scene that is pure manna to just about anyone with a soul.</p>
<p>The photographs in this post summarize our magical night out in <a href="http://www.danielbergmann.com/html/articles/latrabjarg2.html" title="Látrabjarg" target="_blank"><strong>Látrabjarg</strong></a> earlier this June.</p>
<div id="attachment_6863" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/puff-1-300x194.jpg" width="300" height="194" alt="" /><p class="wp-caption-text">Puffins in the light of the midnight sun<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6864" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/puff-2-300x213.jpg" width="300" height="213" alt="" /><p class="wp-caption-text">Up close in Látrabjarg<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6865" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/puff-3-300x198.jpg" width="300" height="198" alt="" /><p class="wp-caption-text">Bathed in the magic light<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6920" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/puff-41-300x193.jpg" width="300" height="193" alt="" /><p class="wp-caption-text">Puffin love (Note: the golden light got switched off temporarily)<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6869" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/photographer-300x193.jpg" width="300" height="193" alt="" /><p class="wp-caption-text">A fellow photographer<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6912" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/sheep1-300x193.jpg" width="300" height="193" alt="" /><p class="wp-caption-text">Future steaks on a midnight stroll<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6910" class="wp-caption aligncenter" style="width: 761px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/borkur1-281x300.jpg" width="281" height="300" alt="" /><p class="wp-caption-text">Börkur Hrólfsson<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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<div id="attachment_6917" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/latrabjarg2-300x178.jpg" width="300" height="178" alt="" /><p class="wp-caption-text">View from Látrabjarg<br />5D Mark II, 70-200L f/2.8 IS II</p></div>
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		<title>In Praise of Zeiss</title>
		<link>http://www.parrikar.com/blog/2011/08/01/in-praise-of-zeiss/</link>
		<comments>http://www.parrikar.com/blog/2011/08/01/in-praise-of-zeiss/#comments</comments>
		<pubDate>Mon, 01 Aug 2011 15:55:23 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Gear]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Fields]]></category>
		<category><![CDATA[Lens]]></category>
		<category><![CDATA[Monsoon]]></category>
		<category><![CDATA[Paddy]]></category>
		<category><![CDATA[Quitala]]></category>
		<category><![CDATA[Village]]></category>
		<category><![CDATA[Zeiss]]></category>
		<category><![CDATA[Zeiss 100 f/2 Makro Planar]]></category>
		<category><![CDATA[Zeiss 50 f/2 Makro Planar]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=6800</guid>
		<description><![CDATA[I am a recent convert to the religion of Zeiss, and my initial experience suggests that I will be keeping the faith for a long time to come. The two Zeiss lenses currently in my bag are the ZE 50mm f/2 Makro Planar and the ZE 100mm f/2 Makro Planar, both manual focus lenses designed [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/08/01/in-praise-of-zeiss/">clicking here</a>. </b></em></p><p>I am a recent convert to the religion of <strong>Zeiss</strong>, and my initial experience suggests that I will be keeping the faith for a long time to come.  </p>
<p>The two <strong>Zeiss</strong> lenses currently in my bag are the <a href="http://diglloyd.com/articles/ZeissZ/ZeissZ-50f2.html" title="Zeiss 50mm f/2 Makro PLanar" target="_blank"><strong>ZE 50mm f/2 Makro Planar</strong></a> and the <a href="http://diglloyd.com/articles/ZeissZ/ZeissZ-100f2.html" title="ZE 100mm f/2 Makro Planar" target="_blank"><strong>ZE 100mm f/2 Makro Planar</strong></a>, both manual focus lenses designed for the <strong>Canon</strong> EF mount.  This glass is versatile and delivers exceptional image quality across a variety of regimes &#8211; Portraiture, Macro, as well as Landscape.  Making photographs with such precision crafted tools is a great pleasure.</p>
<p>My entry into the <strong>Zeiss</strong> fold may be laid at the door of <strong>Diglloyd</strong> (aka <strong>Lloyd Chambers</strong>) and his definitive <a href="http://zeissguide.com/" title="Diglloyd" target="_blank">guide to Zeiss lenses</a> (thanks Lloyd!).</p>
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<div id="attachment_6801" class="wp-caption aligncenter" style="width: 860px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/bai-300x292.jpg" width="300" height="292" alt="" /><p class="wp-caption-text">My niece Saraswati (@ f/2)<br />5D Mark II, Zeiss ZE 100 f/2 Makro Planar</p></div>
<p>Wide open at f/2, nailing the focus is critical to a successful image.</p>
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<div id="attachment_6803" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/08/babu-bai-300x210.jpg" width="300" height="210" alt="" /><p class="wp-caption-text">My nephew Yash and niece Saraswati in Quitala, Goa (@ f/5.6)<br />5D Mark II, Zeiss ZE 50 f/2 Makro Planar</p></div>
<p>The dark patch at the top edge of the frame is a heavy monsoon cloud, not an artifact of lens vignetting.</p>
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