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	<title>Photo Blog by Rajan Parrikar &#187; Fontainhas</title>
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	<link>http://www.parrikar.com/blog</link>
	<description>Satyam Shivam Sundaram (Truth, Divinity, Beauty)</description>
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		<title>Windows of Nacre</title>
		<link>http://www.parrikar.com/blog/2011/03/28/windows-of-nacre/</link>
		<comments>http://www.parrikar.com/blog/2011/03/28/windows-of-nacre/#comments</comments>
		<pubDate>Mon, 28 Mar 2011 17:25:48 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[135L]]></category>
		<category><![CDATA[Anjuna]]></category>
		<category><![CDATA[Bardez]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Divar]]></category>
		<category><![CDATA[Fontainhas]]></category>
		<category><![CDATA[Goan House]]></category>
		<category><![CDATA[Heritage]]></category>
		<category><![CDATA[Malar]]></category>
		<category><![CDATA[Mother of Pearl]]></category>
		<category><![CDATA[Nacre]]></category>
		<category><![CDATA[Panjim]]></category>
		<category><![CDATA[Saligao]]></category>
		<category><![CDATA[Sangolda]]></category>
		<category><![CDATA[Tiswadi]]></category>
		<category><![CDATA[TS-E 24L II]]></category>
		<category><![CDATA[Window]]></category>
		<category><![CDATA[Zeiss 50 f/2 Makro Planar]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=5637</guid>
		<description><![CDATA[Window screens fashioned out of nacre are a characteristic of the traditional upper class Goan house. It is unclear where or when exactly the idea originated. Some say it came from coastal Gujarat, others point to Cape Comorin. Given the mercantile links Goa enjoyed with the rest of the west coast from the earliest times, [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2011/03/28/windows-of-nacre/">clicking here</a>. </b></em></p><p>Window screens fashioned out of <a href="http://en.wikipedia.org/wiki/Nacre" target="_blank"><strong>nacre</strong></a> are a characteristic of the traditional upper class <strong>Goan house</strong>.  It is unclear where or when exactly the idea originated.  Some say it came from coastal Gujarat, others point to Cape Comorin.  Given the mercantile links <strong>Goa</strong> enjoyed with the rest of the west coast from the earliest times, a good deal of give and take prevailed in the region.  But it required the ingenuity and skill of the old Goan craftsmen to elevate the science of house construction to the level of art.  A cursory look at the butt-ugly concrete eyesores now populating <strong>Goa</strong> brings home this point.  (Boo! to the RCC-addled bozo architects and engineers.)  Traditionally the highly skilled masons and craftsmen of <strong>Goa</strong> have come from the Pernem taluka.</p>
<div class="quote">
<p>From: <strong><em>Ethnography of Goa, Daman and Diu</em></strong> (first published in Portuguese in 1923) by <strong>A.B. de Bragança Pereira</strong> (translated by Maria Aurora Couto), Penguin Group, 2008.<br />
p 85<br />
&#8230;Since the Hindu house is very low, daylight can only enter through the door and a few small windows supported on wooden balusters.  In some houses, window panes are made of conch shells instead of glass.  These conch shells are called <em>karepa</em> (a translucent conch shell of oyster <em>placuna placenta</em> which filters a soft and muted light)&#8230;</p>
<div>&nbsp;</div>
<p>From: <strong><em>Living Heritage, Shared Space</em></strong> by <strong>Angelo Costa Silveira</strong> (translated by Maria Flavia Ribeiro), Yoda Press, 2008.<br />
pp 96-99<br />
<em>Carepas</em> are undoubtedly one of the most enigmatic elements of construction in Goa.  They have been used practically from the time of the arrival of the Portuguese.  Their use was motivated by the need to illuminate and at the same time preserve the interiors of the house where social events could take place during the day&#8230;<em>Carepas</em> came to replace the system of wooden shutters and balusters which was very common in the early period&#8230;From the early days this system impressed travellers who frequently made references to it.  <a href="http://en.wikipedia.org/wiki/François_Pyrard_de_Laval" target="_blank"><strong>Pyrard de Laval</strong></a> says in 1616: &#8216;(in Goa) they have no glass windows, instead very fine and straight oyster shells are used, inserted into wooden frames, allowing the light to come in as if it was of paper, as they are not as transparent as glass.&#8217;&#8230;</p>
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<p>The images adduced here are a few examples of the exquisite windows of nacre drawn from the Bardez and Tiswadi areas.</p>
<div>&nbsp;</div>
<div id="attachment_5638" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/closeup-300x233.jpg" width="300" height="233" alt="" /><p class="wp-caption-text">Window panes of Nacre<br />5D Mark II, Zeiss ZE 50mm f/2 Makro Planar</p></div>
<div>&nbsp;</div>
<div id="attachment_5639" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/porch-300x166.jpg" width="300" height="166" alt="" /><p class="wp-caption-text">House in Sangolda with <i>balcão</i><br />5D Mark II, Zeiss ZE 50mm f/2 Makro Planar</p></div>
<div>&nbsp;</div>
<div id="attachment_5642" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/house-saligao-300x271.jpg" width="300" height="271" alt="" /><p class="wp-caption-text">Robert Menezes' home in Saligao<br />5D Mark II, TS-E 24L II</p></div>
<div>&nbsp;</div>
<div id="attachment_5643" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/house-anjuna-300x246.jpg" width="300" height="246" alt="" /><p class="wp-caption-text">Rebello Mansion in Anjuna<br />5D Mark II, 135L</p></div>
<div>&nbsp;</div>
<div id="attachment_5645" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/nacre-01-300x272.jpg" width="300" height="272" alt="" /><p class="wp-caption-text">In Sangolda<br />5D Mark II, Zeiss ZE 50mm f/2 Makro Planar</p></div>
<div>&nbsp;</div>
<div id="attachment_5646" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/nacre-02-300x176.jpg" width="300" height="176" alt="" /><p class="wp-caption-text">In Cortin, Panjim<br />5D Mark II, TS-E 24L II</p></div>
<div>&nbsp;</div>
<div id="attachment_5647" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/nacre-03-300x286.jpg" width="300" height="286" alt="" /><p class="wp-caption-text">In Malar, Divar<br />5D Mark II, Zeiss ZE 50mm f/2 Makro Planar</p></div>
<div>&nbsp;</div>
<div id="attachment_5649" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/nacre-04-300x286.jpg" width="300" height="286" alt="" /><p class="wp-caption-text">Weathered ruins in Piedade, Divar<br />5D Mark II, Zeiss ZE 50mm f/2 Makro Planar</p></div>
<div>&nbsp;</div>
<div id="attachment_5650" class="wp-caption aligncenter" style="width: 864px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2011/03/nacre-05-284x300.jpg" width="284" height="300" alt="" /><p class="wp-caption-text">Stained glass and nacre in Saligao<br />5D Mark II, Zeiss ZE 50mm f/2 Makro Planar</p></div>
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		</item>
		<item>
		<title>Panjim Inn</title>
		<link>http://www.parrikar.com/blog/2009/11/19/panjim-inn/</link>
		<comments>http://www.parrikar.com/blog/2009/11/19/panjim-inn/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 06:53:28 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Street]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Fontainhas]]></category>
		<category><![CDATA[Inn]]></category>
		<category><![CDATA[Panaji]]></category>
		<category><![CDATA[Panjim]]></category>
		<category><![CDATA[TS-E 17L]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=789</guid>
		<description><![CDATA[The charming Panjim Inn in the Fontainhas quarter of Panjim, partially illuminated by the soft light of the rising sun, stands refulgent amid the swamp of RCC* atrocities now racking our once-beautiful city. * RCC = Reinforced Cement Concrete &#160; &#160;]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2009/11/19/panjim-inn/">clicking here</a>. </b></em></p><p>The charming <a href="http://www.panjiminn.com/"><strong>Panjim Inn</strong></a> in the <strong>Fontainhas</strong> quarter of <strong>Panjim</strong>, partially illuminated by the soft light of the rising sun, stands refulgent amid the swamp of RCC* atrocities now racking our once-beautiful city.</p>
<p>* RCC = Reinforced Cement Concrete</p>
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<div id="attachment_790" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2009/11/panjim-inn-300x218.jpg" width="300" height="218" alt="" /><p class="wp-caption-text">Panjim Inn in the Fontainhas area of Panjim, Goa<br />5D Mark II, TS-E 17L</p></div>
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]]></content:encoded>
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		<slash:comments>3</slash:comments>
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