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	<title>Photo Blog by Rajan Parrikar &#187; Lenses</title>
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	<link>http://www.parrikar.com/blog</link>
	<description>Satyam Shivam Sundaram (Truth, Divinity, Beauty)</description>
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		<title>In Praise of 85L and 135L Lenses</title>
		<link>http://www.parrikar.com/blog/2009/06/21/in-praise-of-85l-and-135l-lenses/</link>
		<comments>http://www.parrikar.com/blog/2009/06/21/in-praise-of-85l-and-135l-lenses/#comments</comments>
		<pubDate>Sun, 21 Jun 2009 07:14:41 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Equipment]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Portrait]]></category>
		<category><![CDATA[135L]]></category>
		<category><![CDATA[85L II]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[Lenses]]></category>
		<category><![CDATA[Panjim]]></category>
		<category><![CDATA[Saraswati]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=241</guid>
		<description><![CDATA[In the realm of Portraiture, two lenses in the Canon line-up &#8211; EF 85mm f/1.2 L II and EF 135mm f/2 L &#8211; have attained occult status for their superlative optical performance and for the creative possibilities they open. The 85L II lens was primarily conceived as a portrait lens. Not the fastest autofocus arrow [...]]]></description>
			<content:encoded><![CDATA[<p>In the realm of Portraiture, two lenses in the <strong>Canon</strong> line-up  &#8211; <strong><a title="85L II" href="http://www.eflens.com/l.cgi?id=1000043" target="_blank">EF 85mm f/1.2 L II</a></strong> and <strong><a title="85L II" href="http://www.eflens.com/l.cgi?id=1000043"></a><a title="135L" href="http://www.eflens.com/l.cgi?id=1000046" target="_blank">EF 135mm f/2 L</a></strong> &#8211; have attained occult status for their superlative optical performance and for the creative possibilities they open.</p>
<p>The <strong>85L II</strong> lens was primarily conceived as a portrait lens.  Not the fastest autofocus arrow in Canon&#8217;s quiver, it is best deployed in controlled, deliberate situations.  With its widest aperture of f/1.2, it is a delicate tool requiring of care &amp; skill.</p>
<p>The <strong>135L</strong> lens revels in tight head shots and its fast autofocus lends it an extra edge.  Stopped down, it is a splendid candidate for landscape work in the medium telephoto region.</p>
<p>A couple of portraits of my little niece <strong>Saraswati</strong>, taken in Panjim, Goa, are offered below.</p>
<p>The first image taken with <strong>85L II</strong> underscores its signal feature: ability to cull the essentials from a composition &#8211; in this instance, the eyes &#8211; with its wafer thin depth of field at f/1.2.</p>
<p>The second is a quick, spontaneous capture with the <strong>135L</strong> at an outdoors event.  Here I had no choice but to make do with the angle &amp; character of the available light at that moment.  Perhaps the soft shadows in this instance enhance the profile.  You decide.</p>
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<div id="attachment_204" class="wp-caption aligncenter" style="width: 586px"><img class="size-full wp-image-204" title="Saraswati" src="http://www.parrikar.com/blog/wp-content/uploads/2009/06/bai21.jpg" alt="Close-up of Saraswati&lt;br&gt;5D, 85L II" width="576" height="700" /><p class="wp-caption-text">Close-up of Saraswati<br />5D, 85L II @ f/1.2</p></div>
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<div id="attachment_198" class="wp-caption aligncenter" style="width: 644px"><img class="size-full wp-image-198" title="Saraswati" src="http://www.parrikar.com/blog/wp-content/uploads/2009/06/bai11.jpg" alt="Portrait of Saraswati&lt;br&gt;5D, 135L" width="634" height="700" /><p class="wp-caption-text">Portrait of Saraswati<br />5D, 135L @ f/2</p></div>
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