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	<title>Photo Blog by Rajan Parrikar &#187; Sattari</title>
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	<description>Satyam Shivam Sundaram (Truth, Divinity, Beauty)</description>
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		<title>Brahma of Goa</title>
		<link>http://www.parrikar.com/blog/2010/01/12/brahma-of-goa/</link>
		<comments>http://www.parrikar.com/blog/2010/01/12/brahma-of-goa/#comments</comments>
		<pubDate>Tue, 12 Jan 2010 23:44:18 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[85L II]]></category>
		<category><![CDATA[Brahma]]></category>
		<category><![CDATA[Canon 5D Mark II]]></category>
		<category><![CDATA[Carambolim]]></category>
		<category><![CDATA[Karmali]]></category>
		<category><![CDATA[Sattari]]></category>
		<category><![CDATA[Temple]]></category>
		<category><![CDATA[TS-E 17L]]></category>

		<guid isPermaLink="false">http://www.parrikar.com/blog/?p=1513</guid>
		<description><![CDATA[Brahma, Vishnu and Shiva constitute the Trimurthi of the Hindu pantheon. Of the three, Brahma the Creator is the odd one out: He has less than 10 temples dedicated to Him alone in the whole of India. The puranas ascribe this anomaly to a curse inflicted on Him by Lord Shiva. The Brahma temple in [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2010/01/12/brahma-of-goa/">clicking here</a>. </b></em></p><p><strong>Brahma</strong>, <strong>Vishnu</strong> and <strong>Shiva</strong> constitute the <a href="http://en.wikipedia.org/wiki/Trimurti"><strong>Trimurthi</strong></a> of the <strong>Hindu</strong> pantheon.  Of the three, <a href="http://en.wikipedia.org/wiki/Brahma"><strong>Brahma the Creator</strong></a> is the odd one out: He has less than 10 temples dedicated to Him alone in the whole of India.  The <a href="http://en.wikipedia.org/wiki/Purana"><strong>puranas</strong></a> ascribe this anomaly to a curse inflicted on Him by <strong>Lord Shiva</strong>. </p>
<p>The <strong>Brahma</strong> temple in <strong>Pushkar</strong>, Rajasthan, is well known.  Not as well known is the temple at <a href="http://wikimapia.org/#lat=15.5693579&#038;lon=74.1624516&#038;z=18&#038;l=0&#038;m=b" target="_blank"><strong>Carambolim</strong> </a> (also called <a href="http://wikimapia.org/#lat=15.5693579&#038;lon=74.1624516&#038;z=18&#038;l=0&#038;m=b" target="_blank"><strong>Brahma-Karmali</strong></a>) in northeast <strong>Goa</strong>.  The idol worshipped here is an <strong>11th C</strong> masterpiece of scuplture.</p>
<p>The <strong>Brahma</strong> temple in Goa was originally located at Carambolim (Karmali) near <strong>Panjim</strong>.  After its sacking by the <strong>Portuguese</strong> in the 16th C, the idol was moved to its current remote outpost and re-consecrated.  Later, in a nod to its original home, the area around it came to be known as <strong>Brahma-Karmali</strong>.</p>
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From: <em><strong>Socio Cultural History of Goa</strong></em> by <strong>V.R. Mitragotri</strong> (published by <strong>Institute Menezes Braganza, 1999</strong>)</p>
<p><em>p. 206</em><br />
The stone sculpture of <em>Brahma</em> from here is one of the best specimens of Kadamba art.  Like <em>Brahma</em> from Sopara, the stone sculpture of the Carmoli <em>Brahma</em> has a beard on the central face.  The sages were supposed to have a beard.  In this respect <em>Brahma</em> is similar to them.  <em>Brahma</em> in his front right hand is holding chanting beads (<em>akshmala</em>) and the hand in the blessing pose (<em>varada</em>) and in the rear right hand he is holding the sacrificial ladle (<em>sruka</em>).  In the front left hand he is holding ghee pot (<em>ajya-sthali</em>).  In the rear left hand he is holding a book (<em>pustaka</em>).  The consorts of <em>Brahma</em>, <em>Savitri</em> and <em>Saraswati</em> are shown standing on either side of Brahma.</p>
<p>Three small niches found in the intricate <em>torana</em> are housing tiny images of the deities.  The central niche has <em>Ganapati</em>, <em>Vrishabhavahanashiva</em> is in the right hand side niche and <em>Vishnu</em> is found in the left hand side niche.
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<p>There are other ancient <strong>Brahma</strong> images in Goa worshipped in subsidiary shrines in the villages of <strong>Parsem</strong>, <strong>Virnoda</strong> and <strong>Colomb</strong>.  A striking <strong>Brahma</strong> head also figures in the museum collection in <strong>Old Goa</strong>.  </p>
<p>The <strong>Carambolim</strong> temple recently got a complete makeover.  These photographs were taken in <strong>November 2009</strong>.</p>
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<div id="attachment_1514" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/01/brahma-1-300x238.jpg" width="300" height="238" alt="" /><p class="wp-caption-text">Temple of Lord Brahma in Carambolim, Goa<br />5D Mark II, TS-E 17L</p></div>
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<div id="attachment_1515" class="wp-caption aligncenter" style="width: 810px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/01/brahma-2-300x252.jpg" width="300" height="252" alt="" /><p class="wp-caption-text">Detail of 11th C Brahma sculpture in Carambolim, Goa<br />5D Mark II, 85L II</p></div>
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<div id="attachment_1516" class="wp-caption aligncenter" style="width: 522px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/01/brahma-3-204x300.jpg" width="204" height="300" alt="" /><p class="wp-caption-text">Lord Brahma in Carambolim, Goa<br />5D Mark II, 24-105L</p></div>
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<div id="attachment_1517" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2010/01/brahma-4-300x214.jpg" width="300" height="214" alt="" /><p class="wp-caption-text">Priest Sandeep Kelkar at the Brahma temple<br />5D Mark II, 85L II</p></div>
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		<title>Morning in Mauxi</title>
		<link>http://www.parrikar.com/blog/2009/10/04/morning-in-mauxi/</link>
		<comments>http://www.parrikar.com/blog/2009/10/04/morning-in-mauxi/#comments</comments>
		<pubDate>Sun, 04 Oct 2009 23:39:37 +0000</pubDate>
		<dc:creator>Rajan P. Parrikar</dc:creator>
				<category><![CDATA[Culture]]></category>
		<category><![CDATA[Goa]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Landscape]]></category>
		<category><![CDATA[Religion]]></category>
		<category><![CDATA[24-105L]]></category>
		<category><![CDATA[70-200L f/2.8 IS]]></category>
		<category><![CDATA[Betal]]></category>
		<category><![CDATA[Canon 5D]]></category>
		<category><![CDATA[Mauxi]]></category>
		<category><![CDATA[Petroglyph]]></category>
		<category><![CDATA[Prehistoric]]></category>
		<category><![CDATA[Rock Art]]></category>
		<category><![CDATA[Sattari]]></category>
		<category><![CDATA[Vetal]]></category>

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		<description><![CDATA[The tiny village of Mauxi (pronounced &#8220;Mao-shi&#8221;) lies in the densely forested and as yet unmolested taluka of Sattari in northeastern Goa. I set out very early one morning from Panjim for the 60 or so minutes drive to sample sunrise in Mauxi and its pastoral purlieus. These tranquil settings and experiences, not long ago [...]]]></description>
			<content:encoded><![CDATA[<p><em><b>Note: To see full-size images in this post, please view the original post by <a href="http://www.parrikar.com/blog/2009/10/04/morning-in-mauxi/">clicking here</a>. </b></em></p><p>The tiny village of <strong>Mauxi</strong> (pronounced &#8220;Mao-shi&#8221;) lies in the densely forested and as yet unmolested taluka of Sattari in northeastern <strong>Goa</strong>.  I set out very early one morning from <strong>Panjim</strong> for the 60 or so minutes drive to sample sunrise in <strong>Mauxi</strong> and its pastoral purlieus.  These tranquil settings and experiences, not long ago readily accessible, are becoming increasingly scarce in a <strong>Goa</strong> that is fast becoming uncivilized.  As we shall see, even in this fairly remote settlement, unmarked on most maps of <strong>Goa</strong>, there are surprising delights to be found for the discerning.</p>
<div id="attachment_495" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2009/10/mauxi-300x201.jpg" width="300" height="201" alt="" /><p class="wp-caption-text">Sunrise in Mauxi, Goa<br />5D, 24-105L</p></div>
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<p>Nearby in a grove and out in the open lie ancient sculptures, among them an exquisite <strong>Vetal</strong>, <em>au naturel</em>.<br />
<div id="attachment_496" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2009/10/vetal-300x202.jpg" width="300" height="202" alt="" /><p class="wp-caption-text">Vetal in Mauxi, Goa<br />5D, 70-200L f/2.8 IS</p></div></p>
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<p>The villagers then point me to a mass of rocks bearing prehistoric petroglyphs, unmarked and with no official protection.  Only the recent intervention of a committed Goan environmentalist &#8211; <strong>Rajendra Kerkar</strong> &#8211; has alerted the villagers to the significance of this site.<br />
<div id="attachment_498" class="wp-caption aligncenter" style="width: 910px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2009/10/petro-1-300x215.jpg" width="300" height="215" alt="" /><p class="wp-caption-text">Prehistoric rock art in Mauxi, Goa<br />5D, 24-105L</p></div></p>
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<div id="attachment_499" class="wp-caption aligncenter" style="width: 610px"><img src="http://www.parrikar.com/blog/wp-content/uploads/2009/10/petro-2-300x235.jpg" width="300" height="235" alt="" /><p class="wp-caption-text">Close-up of prehistoric rock art in Mauxi, Goa<br />5D, 24-105L</p></div>
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